ALBUM REVIEW: ANTHRAX — “ANTHEMS”
Unlike many of its peers in heavy-metal world, Anthrax is a band that has never fallen into the trap of taking itself too seriously. In the past, the New York thrash-metal outfit has filled some of t...
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ALBUM REVIEW: COLDPLAY — “EVERY TEARDROP IS A WATERFALL”
By Ryan Leas Not too long after the release of their last full-length, 2008's excellent “Viva la Vida or Death and All of his Friends,” Coldplayseemed to be in a prolific mood. About six months later...
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ALBUM REVIEW: CULTS — “CULTS”
By Ryan Leas After an immense degree of hype in the wake of a few Internet hits and a massive amount of attention from media outlets like Pitchfork, New York duo Cults finally arrives with their firs...
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ALBUM REVIEW: MY MORNING JACKET — “CIRCUITAL”
By Ryan Leas My Morning Jacket has always had a penchant for stunning first tracks, the sort of first songs that simultaneously function as gutsy opening salvos and markers that set the stage for wha...
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ALBUM REVIEW: EDDIE VEDDER — “UKELELE SONGS”
By Ryan Leas 2011 marks Pearl Jam’s 20th anniversary, an occasion the band is commemorating with a series of events and releases, ranging from a documentary to a band-curated festival in Wisconsin. O...
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ALBUM REVIEW: THE HEAD AND THE HEART — “THE HEAD AND THE HEART”
By Michael Lello Some artists bury their emotions and their intent under gauzy walls of sound or inscrutable lyrics; if you get the underlying message, great, and if you don’t, well, that’s just fine...
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ALBUM REVIEW: WARREN HAYNES — “MAN IN MOTION”
By Michael Lello Warren Haynes has been a fine soul singer for several decades, but you can forgive the world for not paying much notice. You’ll have that when you’re known as one of the premier guit...
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ALBUM REVIEW: THE ANTLERS — “BURST APART”
By Michael Lello Compared to “Hospice,” their beautiful 2009 downer, the experience of listening to The Antlers’ new album “Burst Apart” is quite different. While both albums demand repeat listens, t...
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ALBUM REVIEW: JOAN AS POLICEWOMAN — “THE DEEP FIELD”
By Ryan Leas With “The Deep Field,” Joan Wasser returns with her third album under the Joan as Police Womanmoniker in only four years. It’s refreshing to see an artist be so prolific in a ...
ReadmoreALBUM REVIEW: FLEET FOXES — “HELPLESSNESS BLUES”
By Michael Lello You wouldn’t be wrong to classify Fleet Foxes as part of the current neo-folk movement, but the band’s second full-length album “Helplessness Blues” takes another step toward removin...
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