ANIMAL COLLECTIVE’S AVEY TARE DELIVERS MEMORABLE ALBUM
By Emily Votaw In late 2012, Animal Collective satiated eager fans with “Centipede HZ,” the follow up to 2009’s “Merriweather Post Pavilion,” an album that had received overwhelmingly positive review...
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SIMONE FELICE’S UNINTENDED FOLK PARODY
By Emily Votaw The bombastic, bloated folk rock genre that preys on miseducated high schoolers and middle-aged women is powerful. Mumford & Sons aren’t rock ’n’ roll, and they obviously aren’t t...
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SIGMAN DOESN’T DELIVER ON PROMISE WITH “VIRGINIA EP”
By Emily Votaw It’s hard to decipher whatever intention Jacob Sigman had throughout the process of writing and recording his five-track “Virginia EP,” released in December. Did he want to write a co...
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THE HOLD STEADY DELIVERS ANOTHER KNOCKOUT PUNCH
By Michael Lello There was never any question about the quality of The Hold Steady’s swaggering brand of beer commercial guitar riffs and barstool sermons. But it never seemed like an aesthetic that...
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FUTURE ISLANDS TAKES ON BREAKUP DRAMA — AGAIN
By Emily Votaw In the post-post-post punk world where the Future Islands discography exists – where romanticism runs wild and every heartbreak is the most meaningful one and synths have the power to ...
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BECK’S NEW “MORNING”
By Emily Votaw Since some odd day in 1985, or maybe (probably) earlier, Beck Hansen has created a multitude of musical personalities, some poetic and distant (“Sea Change”), some defiant and funny (“...
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ROBERT ELLIS HONORS SINGER/SONGWRITER TRADITION
By Michael Lello Following in the footsteps of Lyle Lovett, John Prine and Jay Farrar comes Robert Ellis, a supremely talented songwriter who combines an introspective spirit and sly wit on “The Ligh...
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VOLLEBEKK OFFERS MERE GLIMPSE ON “NORTH AMERICANA”
By Emily Votaw Leif Vollebekk is an idealist. You can feel it in his music. The way each chorus-less, unwaveringly lonely tune wraps itself into itself until it snaps, wanders or rolls away from th...
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MALKMUS AND THE JICKS WIG OUT
By Michael Lello Stephen Malkmus & The Jicks’ music is easy to listen to. The sounds are catchy and jangly, and the words are a free-flowing mishmash of wordplay and in-jokes. A very pleasant e...
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KEVIN MORBY’S SOLO DEBUT A MAGNIFICENT STUNNER
Kevin Morby is like an old friend you meet on the street by chance and then spend the rest of the day catching up with as the city and day fades out behind you. His voice and music is comfortingly fa...
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